Zoroaster defines God as: “Having a spiral form.”
Reality, I find, is a continuous circuit between parts of self or between inner and outer worlds, separated through the selective properties of identity. In fact, these worlds reveal universes united by symbolic bridges of similarities in perspective. While individual perspective can unite separate universes into one cohesive whole, it can also divide them.
The whole of the inner universe superimposes from micro to macrocosm, which can be seen as a continuous circuit bridging multiple planes of energy. A web of transformational patterns combines planes of energy into a cohesive whole, gestalt to gestalt, imprinting the whole throughout creation, like a hologramic imprint. This inner process is a cosmic blueprint of God’s mind, and in it I see a mental snowflake of the individual frozen in time. What is commonly called individual reality is this ‘snowflake’ imprint from within these multiple worlds and originating in the mind of GOD.
Individual reality follows contours from beyond itself, comparable to the imagination of an artist whose paintings follow imagery from another level of reality. Each of us borrows energy from this same fountain existing far beyond our mundane lives, composite patterns from a holographic universe. Wave interlaced upon wave, each separated but still united to form an ocean. Our singular vision originates therefore, in this ocean of cosmic proportions, swirled together in a creative painting of self, spiraling downward through wormholes from the God source.
It is not by chance that Theodor Schwenk wrote an important volume called SENSITIVE CHAOS, where he said on page 54, the chapter on the effects of Vortex Rings, that he noted an intrinsic unifying pattern (similar to an intra-dimensional vortex) imprinted upon the macrocosm in the structure of physical objects. The following is his remarks:
“An organ is orientated in relation to the whole organism and also to the surrounding cosmos; yet has its own rhythms and forms inner surfaces of its own. All the different stages of the formation of a vortex, from the commencement of overlapping to the completed curling in of the layers of water, serve nature in her formative creativity. During the course of development every organism and each of its organs must pass through a liquid state. The various possibilities of movement offered by the vortex present a direction along which an organ may develop before it eventually acquires its own individual specialized function.”
Theodor Schwenk’s discovery clearly reveals a process of development for evolution in terms of primary shape and movement,which can be seen in the simplest forms of life and pseudopodia. These primordial organisms follow an internal blueprint field or template that provides a course for probable growth. Notice that Schwenk makes an inference to the vortex as a primary channel for molding the fluidic internal processes of life and growth.
The vortex shape appears as a creative pattern behind matter at its most primary levels. In my fourteenth chapter on Angel Hair, I will examine in detail how vortices unite dimensions and act as channels or vehicles through which the actual production of the UFO form emanates. Theodor Schwenk theorizes that the evolution of form is morphologically based on vortex patterning, recognizing that an originating cosmic geometry working from inside matter gives primary direction and function to evolving, organic 3-d objects.
Physicist Paul Davies, author of the book THE COSMIC BLUEPRINT, 1989, on page 203 presented a similar idea for a microcosmic blueprint that he likens to the mind of God at work in his creations:
“The very fact that the universe is creative, and that the laws have permitted complex structures to emerge and develop to organize its own self-awareness—is for powerful evidence that there is ‘something going on’ behind it all. The impression of design is overwhelming.”And I submit that if it is a blueprint of the creator, then that pattern must reveal much about the form and structure of its originator, since God is said to be omniscient, omnipotent and omnipresent. It would follow that this pattern must have its extensions clearly in organic form at every level. Masaru Emoto, author of the renowned work THE HIDDEN MESSAGES IN WATER, demonstrates a pattern of thought-transference also linked to its creator, i.e., the individual thinker. Emoto shares with us his experimentation with frozen water crystals, which reveal elaborate patterns projected into them via thought from diverse emotions such as love, anger, fear and other powerful feelings. The patterns created are all unique, each one characteristic of the whole of the emotional content of the person projecting the thoughts in terms of the quality of shape and esthetic completeness. It was like looking at a microcosm of the evolution of the world from its originator.
J. Von Neumann’s examination of a self-replicating internal pattern can be found in his book THEORY OF SELF-REPLICATING AUTOMATA, as it attempts to describe the effects of a universal constructor or principle, working behind the scenes in all structures. This internalized principle is held accountable for the replication of forms surviving over chaos, and is theorized to occur when a certain threshold of complication takes place. His astute papers reveal the clear imprint of a greater principle inherent in 3-d forms.
But to return to the primary organizing factor in the evolution of form, in terms of underlying patterns, Theodor Schwenk clearly demonstrates the effect of an inherent basic pattern in various particulate stages of matter. This internal shaping process superimposes a definite course, as if from a blueprint with a deft, cosmic geometric signature. Some call it deity, while others call it a self-replicating principle or view it scientifically in terms of a wave-interference process or hologram. As for me, I sense it as evidence of perspective, or the observation principle creatively at work at coordinate energy points in a dream universe. At these points the psychological descent of energy bifurcates into multiple universes. Suffice it to say, that our imagination does not create in a haphazard, chaotic jumble of irrational forces, but instead, follows an internal template (THE SPIRAL FORCE) that is revealed in the natural invaginations and curvatures of space-time.
BY VIRTUE OF THE SPIRAL TEMPLATE WE ARE ALL UNITED IN THE GOD-SELF!
From the book: UFOs: GOD FROM INNER SPACEAvailable at amazon.com or:outskirtspress.com/UFOsGodfrominnerspace
