Most people are aware of ectoplasm as being the substance or rind forming the outer shell in the cytoplasm of the cell, but it is also a common substance produced at materializations said to be formed at various orifices of a spirit medium.This I believe to be true, though many may choose to dispute it.
Interestingly, the substance that is formed as an intermediate material housing for the spirit as it morphs from non-physical realms into the physical is formed out of similar, basic bio-polymer substances. The main differences are that at the stage of materializations, ectoplasm (or 'outer body' from the Greek) is actually the primary vessel secondary to the objectification of a non-physical source, before it becomes a solid.
When studying the similarities in both substances, I was immediately reminded of the works of the late Wilhelm Reich (March 24, 1897–November 3, 1957) an Austrian-American psychiatrist and psychoanalyst and student of the great doctor Sigmund Freud, works on the bio-energy force said to compose the atmosphere and all living matter, which he called "orgone." A direct correlation and derivation of this pre-substance or prima materia was said to come about as a result of the release of sexual or "creative" energy in the production of what I term the bio-hologram, which I feel is also synonymous with Maya.
Recognizing that these descriptions together referred essentially to one energy matrix, I was able to note a relationship appeared to exist between orgone/ectoplasm and sexual or creative energy. They are in essence, the same phenomena that can be found in any primary physical production at a primary level and produce an exudence that all bear common elements thereof.
If we start with the premise that at heart of creation exists what quantum scientists term the 'observation principle', it is clear that the effective release of one's creative energies depend essentially upon our centered awareness of the ONENESS we have of our complicity with the Divine Source within SELF.
Later, adding new insights gained from my studies of Carl Jung and the nature of the archetype, I began to realize that mind was the main ingredient here--and that moreover, that the UFO (as described by Carl Jung in his book Flying Saucers} was a key factor left out of understanding the molding effect of spiritual energy as it produced the illusions or materializations of the physical plane.
I began to see the ONENESS implicit in the parts and realized that everything was really united in ego perspective at every level of energy, and that what we were seeing in the 3-d configuration was only our beliefs refined by gradations into coalesced form.
Of course, the central factor here rests in the realization that we exist in the creative epicenter of a bio-energy hologram which can be manipulated at a sub-atomic level.
A this point where wave and particle depart-impart, observer and observed became one as the heady phenomenon of the whole and the parts. This is the answer to the riddle of Maya; i.e., it is reducible to the common manipulation of collective symbols.
From this insight I intuitively extrapolated that release needn't mean so much the turning off the flow into the physical we call the Maya, but realizing how we were creating it. Like Ram Dass, I too believe that we don't have to get into a negative trip about critiquing ourselves, but to learn to understand how we make collectively contributory use of the energies.
Blessings from the Source~
Nahu Lanham
author of: UFOs: GOD FROM INNER SPACE
Interestingly, the substance that is formed as an intermediate material housing for the spirit as it morphs from non-physical realms into the physical is formed out of similar, basic bio-polymer substances. The main differences are that at the stage of materializations, ectoplasm (or 'outer body' from the Greek) is actually the primary vessel secondary to the objectification of a non-physical source, before it becomes a solid.
When studying the similarities in both substances, I was immediately reminded of the works of the late Wilhelm Reich (March 24, 1897–November 3, 1957) an Austrian-American psychiatrist and psychoanalyst and student of the great doctor Sigmund Freud, works on the bio-energy force said to compose the atmosphere and all living matter, which he called "orgone." A direct correlation and derivation of this pre-substance or prima materia was said to come about as a result of the release of sexual or "creative" energy in the production of what I term the bio-hologram, which I feel is also synonymous with Maya.
Recognizing that these descriptions together referred essentially to one energy matrix, I was able to note a relationship appeared to exist between orgone/ectoplasm and sexual or creative energy. They are in essence, the same phenomena that can be found in any primary physical production at a primary level and produce an exudence that all bear common elements thereof.
If we start with the premise that at heart of creation exists what quantum scientists term the 'observation principle', it is clear that the effective release of one's creative energies depend essentially upon our centered awareness of the ONENESS we have of our complicity with the Divine Source within SELF.
Later, adding new insights gained from my studies of Carl Jung and the nature of the archetype, I began to realize that mind was the main ingredient here--and that moreover, that the UFO (as described by Carl Jung in his book Flying Saucers} was a key factor left out of understanding the molding effect of spiritual energy as it produced the illusions or materializations of the physical plane.
I began to see the ONENESS implicit in the parts and realized that everything was really united in ego perspective at every level of energy, and that what we were seeing in the 3-d configuration was only our beliefs refined by gradations into coalesced form.
Of course, the central factor here rests in the realization that we exist in the creative epicenter of a bio-energy hologram which can be manipulated at a sub-atomic level.
A this point where wave and particle depart-impart, observer and observed became one as the heady phenomenon of the whole and the parts. This is the answer to the riddle of Maya; i.e., it is reducible to the common manipulation of collective symbols.
From this insight I intuitively extrapolated that release needn't mean so much the turning off the flow into the physical we call the Maya, but realizing how we were creating it. Like Ram Dass, I too believe that we don't have to get into a negative trip about critiquing ourselves, but to learn to understand how we make collectively contributory use of the energies.
Blessings from the Source~
Nahu Lanham
author of: UFOs: GOD FROM INNER SPACE
